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Boring Postcards, by Martin Parr
Download Boring Postcards, by Martin Parr
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Product details
Paperback: 176 pages
Publisher: Phaidon Press; New edition edition (March 1, 2004)
Language: English
ISBN-10: 0714843903
ISBN-13: 978-0714843902
Product Dimensions:
6 x 0.8 x 8.2 inches
Shipping Weight: 14.9 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
15 customer reviews
Amazon Best Sellers Rank:
#969,039 in Books (See Top 100 in Books)
This collection of utterly horrendous postcards is a delightful window into our past and what people valued in days gone by. Certainly in retrospect it is hard to grasp what on earth the people who made these postcards, and more importantly the people who bought and sent them were thinking, but at the time they all made sense to somebody.Most of these cards are from 1960's and 1970's Britain; I recommend the companion volume "Boring Postcards USA" for a similar look at US postal proclivities in the same eras. Some of the themes of the book are over-represented (highway interchanges chief among them), but I found the postcards of motels, campgrounds, and public areas to be charming though horrifying.Among my favorite cards in this volume are such greats as "NUL. 30F. M.6. Motorway. Newcastle-under-Lyme.", "Interior of the Mersey Tunnel, Liverpool", "The Drive In Bottle Shop, Northampton", "The Butts Shopping Center, Reading", "Farnham Post Office", "Canteen, Stoke Mandeville Hospital" (a truly ghastly realm of colors), "National Giro Centre, Bootle" (an amazingly postcard that has actually been postmarked!), "A corner of the Moota Motel, Cockermouth", "The Garreg Goch Caravan Park, Morfa Bychan" (the saddest trailer court I have ever seen), and perhaps my favorite of all, "Rain Clouds, from Southend Pier", a bad photo of some clouds in beautiful black and white.Truly, this is a great collection that simultaneously made me amused and sentimental. I only wish that I could detach and send these postcards, as I know several people who would be delighted to get a card of "Turbine Hall, CEGB Wylfa Nuclear Power Station, Anglesey."
I just love this collection of postcards - they are truly mind-numbing, and as I was leafing through the book, my over-riding thought was WHY??? Why on earth would anyone take a picture of the National Giro Centre, Bootle, Preston Bus Station, numerous Forte motorway restaurants and the Bull Ring centre? Perhaps these buildings and roads were something to be proud of when they were built - a brave new post-war Britain. I can see the point of a few of them, but some are just mind-numbingly boring and just plain odd. The oddest, in fact, is Basingstoke. Three pictures in one postcard, all showing the same view of construction work on a pedestrian precinct.Ahhh - the pedestrian precinct!! How 60's is THAT!!!!!A great book to have around and a great conversation starter.
Very boring.
Great pictures through all the book. It really take you back in time. Thanks to Stuart Murdoch's 'The Celestial Café' that I found this book and many others.
great shipping and product!
I do not understand why anyone would make a book of pictures of stupid post cards when they could have made a book full of real post cards that someone could actually send to other people. I was so excited yo have this coming so I could send out some strange cards to people, but it is just shrunken pictures of post cards with another stupid picture on the back so they are 100% usless to me. I will be throwing this into the trash. The author and publisher are idiots.
This collection of utterly horrendous postcards is a delightful window into our past and what people valued in days gone by. Certainly in retrospect it is hard to grasp what on earth the people who made these postcards, and more importantly the people who bought and sent them were thinking, but at the time they all made sense to somebody.Most of these cards are from 1960's and 1970's Britain; I recommend the companion volume "Boring Postcards USA" for a similar look at US postal proclivities in the same eras. Some of the themes of the book are over-represented (highway interchanges chief among them), but I found the postcards of motels, campgrounds, and public areas to be charming though horrifying.Among my favorite cards in this volume are such greats as "NUL. 30F. M.6. Motorway. Newcastle-under-Lyme.", "Interior of the Mersey Tunnel, Liverpool", "The Drive In Bottle Shop, Northampton", "The Butts Shopping Center, Reading", "Farnham Post Office", "Canteen, Stoke Mandeville Hospital" (a truly ghastly realm of colors), "National Giro Centre, Bootle" (an amazingly postcard that has actually been postmarked!), "A corner of the Moota Motel, Cockermouth", "The Garreg Goch Caravan Park, Morfa Bychan" (the saddest trailer court I have ever seen), and perhaps my favorite of all, "Rain Clouds, from Southend Pier", a bad photo of some clouds in beautiful black and white.Truly, this is a great collection that simultaneously made me amused and sentimental. I only wish that I could detach and send these postcards, as I know several people who would be delighted to get a card of "Turbine Hall, CEGB Wylfa Nuclear Power Station, Anglesey."
Anyone interested in bad,sterile,depressing and bland architecture need look no further.This book provides perfect examples in how NOT to design living spaces and aestetically pleasing public landscapes and public buildings.The book easily could have been titled "How not to Feng Shui".What really strikes you as you glance over the whole of the motel,trailerpark and assorted public buildings is an overwhelming blandness,mismatching and tacky colors,stark,bleak and monotonous nothingness that envelops these cheap and thoughtless artifacts of a thankfully bygone era.A great sociological book could be written on why the general whole of the western world lost so much of its sense of aesthetic beauty in the 20th century and made books like this possible.Is it that 20th century man lost all higher hopes and feeling for beauty and that the horrors of the century can be reflected in the strictly utilitarian architecture that dominated the century?Or is it that the almost exclusively materialistic mindset of 20th century dictated that his environments reflect his inner state?Pore over this book and draw your own conclusions.
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